Patrick BOKANOWSKI

(1943- )
Nationality: french

Patrick Bokanowski. French filmmaker and artist developed a manner of treating filmic materiel that crosses over traditional boundaries of film genre : short film, experimental cinema and animation. His work lies on the edge between optical and plastic art, in a « gap » of constant reinvention. Patrick BOKANOWSKI challenges the idea that cinema must, essentiallly, reproduce reality, our everyday thoughts and feelings. His films contradict the photographic « objectivity » that is firmly tied to the essence of film production the world over. Bokanowski’s experiments attempt to open the art of film up to other possibilities of expression, for example by « warping » his camera lens (he prefers the term « subjective » to « objective » - the French word for « lens »), thus testifying to a purely mental vision, unconcerned with film’s conventional representations, thus affecting and metamorphosing reality, and thereby offering to the viewer of his films new adventures in perception.

Pierre Coulibeuf

9 MOVIES IN DISTRIBUTION

	LE CANARD A L'ORANGE 2002 / 35 mm or 16 mm / coul / sonore / 8 min. 30
	ECLATS D'ORPHEE 2002 / 16 mm / coul / sonore / 4 min. 35
	FLAMMES 1998 / 35 mm or 16 mm or 16 mm or 16 mm / coul / sonore / 3 min. 30
	AU BORD DU LAC 1993 / 16 mm or 35 mm or 16 mm / coul / sonore / 6 min.
	LA PLAGE 1991 / 16 mm or 35 mm or 16 mm / coul / sonore / 14 min.
	LA PART DU HASARD 1984 / 16 mm / coul / sonore / 52 min.
	L'ANGE 1982 / 16 mm or 16 mm or 35 mm / coul / sonore / 70 min.
	DÉJEUNER DU MATIN 1974 / 16 mm or 35 mm / coul / sonore / 12 min.
	LA FEMME QUI SE POUDRE 1970-1972 / 16 mm or 35 mm or 16 mm or 35 mm / n&b / sonore / 18 min.