Born in France in 1953. As a teacher in United States, he became conscious of the need to lead a « cultural battle ». Filmmaker and film critic, he organizes experimental cinema events in France and other countries. After his film and philosophy studies, he became very influenced by contemporary art (Russian formalism and minimal structuralism) and learned music, as well as by his friendship with Paul SHARITS. He strives to find a balance between formalism and lyricism. He himself explains that the common denominator between all his films is that they are all constructed according to the principle : « fragility » – « disappearance » – « disintegration». In 1982 he co-founds Light Cone with Miles MCKANE. Amongst others he has published : Musique film with Deke Dusinberre (1986), "Mots : dites, image" with Miles MCKANE (1988), Poussières d’images (1998) and finally, "Monter/Sampler" with J.-M. Bouhours (2000).
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WARONGAZA
2009 / Mini DV / coul / sonore / 7' 06 |
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AFFECTION EXONERANTE
2008 / Mini DV / coul / sonore / 6' 21 |
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MARS
2007 / Mini DV / coul / sonore / 8' 00 |
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D'UN COUVRE-FEU
2006 / Mini DV / coul / sonore / 9' 40 |
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HEZRAELAH
2006 / Mini DV / coul / silencieux / 0' 40 |
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SANS TITRE BEIJING
2006 / Mini DV / coul et n&b / sonore / 5' 10 |
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SANS TITRE, SAO PAULO
2006 / Mini DV / coul / sonore / 6' 10 |
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EST ABSENTE
2004 / Mini DV / coul / silencieux / 7' 00 |
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EST ABSENTE
2004 / Mini DV / coul / silencieux / 6' 43 |
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DA GALPAO DE DONA ANA A CARRANCAS EM PETROLINA
2003 / Mini DV or Beta SP / coul / sonore / 23' 00 |
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SHIBUYA
2003 / Mini DV / coul / sonore / 13' 00 |
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A DRIFT
2002 / 16 mm / coul / sonore / 9' 00 |
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TU, SEMPRE
2002 / Mini DV / coul / sonore / 38' 00 |
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DES RIVES
(2E)
1998 / 16 mm / coul / sonore / 8' 00 |
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STILL LIFE
1997 / U-Matic or Beta SP / coul / sonore / 12' 24 |
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SANS TITRE 96
1996 / 16 mm / n&b / silencieux / 3' 00 |
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NEW YORK LONG DISTANCE
1994 / 16 mm / coul / sonore / 9' 00 |
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SID A IDS
1992 / 16 mm / coul / silencieux / 5' 30 |
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WE'VE GOT THE RED BLUES
1991 / 16 mm / coul / sonore / 15' 00 |
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LIGNE D'EAU
(2E)
1989 / 16 mm / coul / silencieux / 8' 00 |
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SPETSAI
1989 / 16 mm / coul / sonore / 15' 00 |
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TAS DE BEAUX GOSSES
1989 / 16 mm / coul / silencieux / 6' 00 |
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29 10 88
(2E)
1988 / 16 mm / n&b / silencieux / 4' 00 |
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DIVERS-ÉPARS
1987 / 16 mm / coul / sonore / 12' 00 |
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VO/ID
(2E)
1985 / 16 mm / coul et n&b / sonore / 7' 00 |
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ENJEUX
1984 / 16 mm / coul / silencieux / 5' 30 |
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SANS TITRE 84
(2E)
1984 / 16 mm / coul / silencieux / 14' 00 |
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AMOROSO
1983 / 16 mm / coul / silencieux / 14' 00 |
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JOURNAUX
1983 / Super 8mm or Beta SP / coul / silencieux / 13' 00 |
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MILES
1983 / 16 mm or Super 8mm or Beta SP / coul / silencieux / 3' 00 |
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ÉLICLIPSE
1982 / 16 mm / coul / silencieux / 31' 00 |
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TEMPS DE MÈTRE
(Expanded)
1980 / 16 mm / / / 10' 00 |
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TEMPS DE MÈTRE
1980 / 16 mm / coul / silencieux / 17' 00 |
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DISJET
1979 / 16 mm / coul / silencieux / 40' 00 |
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WANDERER
1978 / 16 mm / coul / silencieux / 10' 00 |
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HOMOVIE
1976 / 16 mm / coul / silencieux / 6' 00 |
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MIS EN PIÈCES
1976 / 16 mm / coul et n&b / silencieux / 12' 00 |
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R
1976 / 16 mm / n&b / silencieux / 3' 00 |
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RR
(2E)
1976 / 16 mm / n&b / silencieux / 6' 00 |
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QUATRE UN
(4E)
1975 / 16 mm / n&b / silencieux / 12' 00 |
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TRÈS RARE FILM.
1975 / 16 mm / coul et n&b / silencieux / 50' 00 |
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