FLUX RE FLUX

A city, its crowds; crowds processed on film then transferred to video. I used a technique particular to video to manipulate a vertical section of the image sideways, changing both its shape and color density. Each operation was repeated a number of times, in a series of consecutive incrustations. The final image was achieved in a few hours, entirely by hand (or, more precisely, by hands), like an impromptu musical improvisation. The rhythm, the flux of the city confronted with video's scanning composition and compression.

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