Vivian OSTROVSKY

Born in New York (USA), she attended high-school in Rio de Janeiro before studying psychology and cinema at the Sorbonne University in Paris. Her activities began with her involvement in Ciné-Femmes, a diffusion organisation striving for feminism and its visibility. She becomes a filmmaker herself in 1980 and relinquishes her militancy. She takes part in the organization of festivals, notably in Jerusalem. Her fims explore the theme of transit, and can be situated according to Yann BEAUVAIS between « film journal » and « film collage ».

16 MOVIES IN DISTRIBUTION

	NE PAS SONNER 2008 / Beta SP / coul-n&b / sonore / 7 min. 56
	FONE FÜR FOLLIES 2007 / Beta SP / coul / sonore / 10 min. 43
	TELEPATTES 2007 / Beta SP / coul / sonore / 10 min. 35
	ICE SEA 2005 / 16 mm / coul-n&b / sonore / 32 min.
	NIKITA KINO 2002 / 16 mm / coul / sonore / 40 min.
	AMERICAN INTERNATIONAL PICTURES 1997 / 16 mm / coul-n&b / sonore / 5 min.
	PUBLIC DOMAIN 1996 / 16 mm / coul / sonore / 13 min.
	UTA MAKURA (PILLOW POEMS) 1994-95 / 16 mm / coul / sonore / 20 min.
	M.M. IN MOTION 1992 / 16 mm / coul / sonore / 20 min.
	M.M. IN MOTION 1992 / 16 mm / coul / sonore / 45 min.
	EAT 1988 / 16 mm / coul / sonore / 15 min.
	TROIS ÉTOILES 1987 / 16 mm / coul / sonore / 12 min.
	U.S.S.A. 1985 / 16 mm / coul / sonore / 12 min.
	ALLERS VENUES 1984 / 16 mm / coul / sonore / 14 min.
	COPACABANA BEACH 1982 / 16 mm / coul / sonore / 10 min.
	MOVIE (V.O.) 1982 / 16 mm / coul / sonore / 9 min.